Bénédicte Blondeau found inspiration for this project in her immediate environment. The spaces depicted in her pictures are mostly empty and silent and could be seen as a kind of « heterotopia », a perambulation from nature to city, a way of experiencing urban spaces, a selection in and an interpretation of a material, constructed and pre-orchestrated world. Corridors, halls, waiting rooms, passages create spaces of otherness in which the rules and norms of society no longer apply. Their emptiness leaves an impression to the spectator, who observes from a certain distance. Impression implying a kind of speculation, coming from what we see but also from what we imagine from it. Here and there characters emerge, fragile and uncertain, without being seen completely. The space becomes more than what is represented, inviting to wonder what happened or will happen inside, but also outside of it. The environment depicted in her images becomes like another space, real and absolutely unreal at the same time. An expanding parallel universe which finds its source in urban interiors and sometimes in nature, used to create images whose ways of interpretation contrast with the actual flow of images generated by the media in our societies.